BOSS DOOR CONTROLS

High quality technical product photography

Established in 2009 Boss Door Controls have many years industry experience in high specification architectural ironmongery.

Their products have been used extensively around the globe and have been supplied on many varied projects including Schools, Hospitals, Colleges, Student Accommodation, Offices, Leisure Centres, Hotels etc.

In recent years they have enhanced their door control product offering to include the Label range of swing door operators and the Fortessa range of door furniture where they have exclusive distribution for the architectural ironmongery markets.

 

Visit their site....


           

NEWS

MARGATE BARRED
The studio became the setting for Margate Barred — a bold, thirty-minute short film written by Dean…
THE CAMBRIDGE SATCHEL COMPANY
We were very happy to host The Cambridge Satchel Company for their Autumn Collection shoot INSPIRED…
MARK THOMAS
Enjoyed very much having the extraordinary Mark Thomas in the studio, and to be able to support him…
OPUS Bespoke
Discover the art of corporate storytelling with OPUS Bespoke. Dive into our collaboration and learn…
HSBC corporate photos
HSBC commissioned shoot for company marketing shot in studio.
HEAR NOW-TREVOR WATTS
A conversation with legendary free jazz saxophonist Trevor Watts. Directed and filmed by Mark French

NEWS

BOSS DOOR CONTROLS
High quality technical product photography for Boss Door Controls
YouTube production "Ordinary Things"
Ordinary Things explained by a not so ordinary person. Well extraordinary things do happen in real-life as a pro YouTuber visits the studio....
CLARE CLARKSON  PRODUCTION DESIGN​
CLARE CLARKSON PRODUCTION DESIGN​ Commercials. Films. Promos. Documentaries. Working with Clare to keep her high profile media presence up to date.
PAUL ROBERTS web development
New web profile for Paul Roberts. Concert pianist, writer, lecturer, inspiring teacher
HEAR NOW-TREVOR WATTS
A conversation with legendary free jazz saxophonist Trevor Watts. Directed and filmed by Mark French